When I started promoting the return of TMC (not the TV channel), a question that kept popping up was "Why did he (Lloyd) spell his name with two 'LL's?" In fact, though this is a re-post from 1938, I was asked that question again last night at our neighbourhood Wally World (it was preceded by that famous conversation-starter, "Will you please get your @!*& buggy off my foot?").
Well, Llord onlly knows why follks name their llads with doublle LLlls! Llike my llongtime friend Ron Ryan tolld me, though, it's Wellsh in origin. (In case yer wondering and according to my llocall grocer, my own name [Chuck] is apparently cow in origin.)
Now, that photo up there reminds me of one of Uncle Lloyd's famous llip synchs. As you know, the man was an expert at miming the greats (be careful with that word, Chucky; remember: an "ex" is a has-been, and a "spurt" is a drip under pressure. The Chief was neither of those ...).
He'd gone to stage right, and, guitar in hand while sitting on a simple stool, soulfully waded into Bob Dylan's super-long Desolation Row (from his Highway 61 Revisited album. It was about 11 minutes, as I recall ...).
He was a few minutes into "Row" when there was the scheduled two-minute commercial break. Cutting back into the show, and there was Uncle LL ...
still playing the song (now, remember: this was all live-time, so he'd kept going while the camera was off)!
By now, the lights had been cut, old newspaper blew past him (they had a wind machine doing the honors off-camera) ... all set to make it look like everybody'd closed up and gone home!
Not only was the bit hilarious, but it showed that Lloyd knew how to milk the song's length to make it even funnier!
Now, for a couple of readers who wanted to know about Lloyd's work on a show called Funny You Should Ask, I present for your consideration:
Now, remember to invite all the mousies you know to join us every day at the Mouse House ... in honor of Lloyd, good times and great music ... and ...
Stay tuned ...