It’s been called the ultimate ‘cheat-board” … probably best-known for Cher’s use of it in her 1998 hit, Believe, it’s been panned by most rock artists as a “cheap way out” for performers who don’t want to take time to rehearse their vocals — or are basically “tone deaf” anyway.
At the same time, the Auto-Tune® has been praised for its economical side — cutting down on studio time, mixing and more.
Performers as diverse as T-Pain, Reba McIntyre, Faith Hill and Cher have used it to save re-takes and give their songs the “perfect pitch” it calls for. They don’t have to worry about missing notes or whatever, because this program can make even the worst singers sound heavenly!
Here’s what it says on the Antares Tech page:
“Auto-Tune is used daily by thousands of audio professionals around the world. Whether to save studio and editing time, ease the frustration of endless retakes, to save that otherwise once-in-a-lifetime performance, or to create striking special effects, Auto-Tune Evo is the tool of choice.”
Now, I’ve been in the business for thirty-plus years, and, quite frankly, I see this thing as a poor substitute for adequate vocal/instrumental rehearsal. If you’re good, you’re good. If not, keep on rehearsing until ya get it right! Don’t depend on a machine to correct your mistakes, because, onstage, you might not have it to rely on!
If the greats from all genres didn’t have to use it (Beatles, Stones, James Brown, Johnny Cash, etc), why do acts need it now?
Heck … all they did was rehearse until they got it right. And, if they had a vocal or instrumental “glitch” onstage, it gave the gig even more substance, because the fans knew they were seeing it all live and raw … they loved the fact that their musical heroes were human and not fed through some machine that did their work for them!
‘Course, that’s just my opinion. I’d like to get yours. Just give me a shout-out by comment or email and let me know what you think. I’ll be happy to print your feedback here …
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